Protocols for handling firearms on film sets

[Robert LaRue]

I've scouted a bunch of websites... but since I've not worked with firearms in films before I'm hoping some members have some real world protocols they've used before. Thanks.
Bob LaRue

[Leigh Ann Otte]

I don't know official protocols, but from personal experience as an actor, here are two things that come to mind.

1. Have a permit. You don't want anyone getting shot by the police. An actor friend of mine was in a scene using guns indoors. The shades were open. Nobody had told the police. SWAT team showed up. Dangerous.

2. I suggest offering actors who are going to be shot at the opportunity to explore the gun themselves, looking in the chamber, shooting it, etc., to see that it's really fake and there's no chance of mistaken identity with a real gun.

Leigh Ann

[Robert LaRue]

Thanks Leigh Ann. Looks like everyone who has replied is on the same safety track that I have been thinking of!
Bob

[Mark Dissette]

Please contact me and I will be happy to forward a basic list to follow a"must do" to ensure safety the number one factor with firearms. Just last year a group shot bandido style and a swat team showed up it could have turned very ugly and in the past it has so make sure you tripple check things

[e-mail]

[Robert LaRue]

Thanks Mark... just sent you a pm.

[Robert LaRue]

I'm totally in agreement with the fakes idea. I do have a little experience with blank guns on stage... and not all of that experience was positive.

[Coloradosploitation Films]

Where does whiskey fit into this?

[Robert LaRue]

While some weapons slingers might think the two go together automatically, I don't see that combination coming together in this project!

[CoachDalton]

If you plan on shooting in Denver (and most counties), you will definately need a handler with a gun permit and on off-duty police officer. I did a shoot a couple years ago in Denver using several real handguns with blanks. When I notified Denver Police of what i was intending, they made these requirements very clear. The cop was about $45 per hour and the gun handler charged a day fee. It was not a hassle at all, in fact, it made things sooo much easier and everyone felt safer. It was all about safety and the cop inspected the weapons along with the handler before we shot every scene.
You can also contact Mark Grove (CASA), he has tons of experience with this.

[Jeremy Cummings]

I would recommend contacting Asgard Entertainment: http://www.asgardentertainment.com/
We have a great assortment of blank only guns and drop weapons. We can rent these to you and give you the help you need or can give you tips on weapons handling.